Recitativo oscuro, Salvatore Sciarrino


Articulate Silences

Kandinsky Composition VIII

The music of Salvatore Sciarrino doesn’t just interrogate our strictly musical expectations, it probes the very boundaries of aural and temporal perception. Conjuring cavernous voids punctuated sparingly by fleeting outbursts of instrumental colour, the Italian composer confronts the listener with stretches of inactivity so vast that the sheer absence of event begins to imbue a near-excruciating sense of tension and urgency to his music. Such prominent use of silence is intended, in Sciarrino’s own words, to “put pressure on the ear”, ushering us into an almost meditative state of awareness in which all sounds, even those of our bodies, take on a revelatory significance. And this acute attunement to the corporeal is mirrored in the textures of the music: often centred around a heartbeat-like throb of a bass drum, Sciarrino’s sound-world seems as tied to the natural and the physical as it is to the ethereal.

Completed in 1999, Recitativo…

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