Michael Morgan reviews Levinas and the Cinema of Redemption: Time, Ethics, and the Feminine in the NDPR:
The question that I kept before me as I was reading this book and preparing to write this review is whether philosophers can learn anything valuable from it. After all, it is a book written by someone who has published extensively on film, it treats various Hollywood and European films that are classics and certainly worthy of attention, and it purports to engage with the work of an important twentieth-century philosopher as part of its project. To be sure, one can learn something even from a book that has significant deficiencies, but what I have been asking myself is something different. It is whether a philosopher could learn anything positive from the book. Does the book say helpful and interesting things about Emmanuel Levinas? Does it show us how to explore films in the light of Levinas’s philosophical work? Does it read films in a way that is philosophically novel and interesting, about film itself or about these particular films? I wish that I could answer “yes” to one or more of these questions, but I cannot. The most I can say is that in the course of reading what Girgus has to say about Levinas and the nine or so films he discusses, one is provoked to reflect upon a number of problems and issues concerning Levinas and film, and although Girgus has nothing particularly helpful to say about most of them, it is worthwhile to have them called to our attention. Continue reading