Anthony Braxton’s 12+1tet


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A couple of weeks ago I found myself in the massive Amoeba Records in San Fransisco and picked up lots of good stuff. So far the highlight has been Anthony Braxton’s latest release: 12+1tet. A review from The Squid’s Ear just about says it all:

On his second live disc with this group of musicians, composer and reeds master Anthony Braxton, one of the pillars of the art of free jazz, performs his ebullient epic composition No. 361, a 70 minute tour de force that packs so much of a punch that the time just seems to fly by.

Braxton fans are treated to a mature work that is a summation, in a way, of most of Braxton’s musical concerns: the play between form and free improv, the mixing of timbres, the exploration of pulse fluctuations, the variations of density and the personality that each instrument and each instrumentalist brings to the aforementioned. For new listeners, this is as good a place to start as any, perhaps better, since this is the work of a musical mind at the height of his powers, who arrives with decades of musical exploration behind him, but who has still lots of creative juice. A doyen of the jazz tradition (even though some of his critics have placed him outside of jazz and Braxton himself avoids the label) the composer is joined by 12 people who understand and share his musical vision and who are, for the most part, long-time collaborators, resulting in, as the liner notes put it, “an amalgamation of musicians fully stepped in his oeuvre.”

Read the full review at The Squid’s Ear.

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